Dido and Aeneas
England’s first great opera: a Carthaginian queen, a departing hero, a coven of witches and the most famous lament ever written.
The English Orpheus
Henry Purcell1659 – 1695The Works
Around 800 pieces in twenty years: one opera, four semi-operas, music for forty plays, seventy anthems, two dozen court odes and a drawer full of songs. Start here.
England’s first great opera: a Carthaginian queen, a departing hero, a coven of witches and the most famous lament ever written.
The aria at the end of Dido and Aeneas: four minutes over a sinking ground bass, and the most famous lament in opera.
Purcell and Dryden’s 1691 semi-opera: wizards, Saxons, the shivering Frost Scene and the patriotic hymn ‘Fairest Isle’.
The shivering aria from King Arthur, sung by a frozen spirit who wants to be left alone. Later a cult hit for Klaus Nomi.
Purcell’s extravagant 1692 version of A Midsummer Night’s Dream: masques, monkeys and a score lost for two centuries.
His most famous works are the opera Dido and Aeneas (1689) and its lament ‘When I am laid in earth’; the semi-operas King Arthur (1691) and The Fairy Queen (1692); the Music for the Funeral of Queen Mary (1695); the Rondeau from Abdelazer (1695); the song Music for a While; the anthems Hear my prayer, O Lord and Rejoice in the Lord alway; and the odes Hail, bright Cecilia and Come, ye sons of art.
Purcell wrote only one true opera, sung throughout: Dido and Aeneas. He also wrote four semi-operas, plays with large musical scenes: Dioclesian (1690), King Arthur (1691), The Fairy Queen (1692) and The Indian Queen (1695), as well as incidental music for more than forty plays.
Z numbers identify Purcell’s works in the catalogue compiled by Franklin B. Zimmerman and published in 1963. For example, Dido and Aeneas is Z 626 and King Arthur is Z 628.